Liturgy and Music: March 2005 Archives

Vintage cheese

| 6 Comments

Even we at the indult Mass in Boston have a little cheese in our musical repertoire: an arrangement of Haec dies that sounds like the music from a spaghetti commercial: (page 1, 2).

A gentleman wrote me this evening with a plea for help. I was flattered that he would ask my advice, but I assured him that any answer I gave him would be highly subjective and blissfully untouched by practical experience. So I turn it over to you folks to help this man, who we will call the "On-Deck Director." Read his message, which was edited to protect his identity:



I will try to be concise. Our parish has had different types of music at each Mass for as long as I can remember. The [morning] group is the aging folkies (not that there's anything wrong with that). The [evening] group is the rockin' teenagers. The [mid-morning] group, of which I am a member, is the "some semblance of tradition and absence of triteness" choir.

We've been using the Collegeville hymnal for quite a few years now. We also sing various pieces of sacred music at the Offertory each week. For a long time, we were pretty good – about 30 members, sang things like "Ave Verum Corpus" and Handel and other sacred music written before 1960. Over time, however, we have lost more than half of our members due to death, sickness, old age, moving out of town, and leaving for a different parish (a huge can of worms I will not open at this juncture). We now have a group of 6-10 women, and we do our best each week. We have an AMAZING organist. We can't get more choir members to save our lives. No man wants to join what he perceives to be a women's choir. So, there is the background sketch.

Well, apparently, our pastor of a little over a year has been telling various people that the music at our Mass is a disaster. We sing hymns unfamiliar to the congregation (i.e., not "Here I Am, Lord," every single Sunday). The organ isn't loud enough. The singers aren't miked. The organ should be incredibly loud, and the singers should be miked, because this will make the congregation sing, since they won't have to worry about anyone hearing them. And we need to sing different music.

I fear it is about to be legislated that 1. our director will be fired and 2. we will have to sing from the Gather hymnal. If our director quits, and our pastor even decides it's a worthy expenditure to fill the vacancy, I'll most likely be the new director. What on earth do I do?

How do I start to educate myself about liturgical music? What's a good "compromise hymnal?" Simple, sacred music that the congregation might not know, but can learn. What's Taize? How do I learn chant? What's shape-singing? Help! What would your "five steps to learning enough about the liturgy and sacred music to save our Mass from guitars and pablum" be?

I enjoy your blog...

Blessings,
On-Deck Director

Extreme penance

| 12 Comments

"As an expression of your penitence, I want you to undertake a pilgrimage: it will be arduous and sometimes unpleasant, but the sufferings we bear willingly are a source of great graces also."

What? Who?

On life and living in communion with the Catholic Church.

Richard Chonak

John Schultz


You write, we post
unless you state otherwise.

Archives

About this Archive

This page is an archive of entries in the Liturgy and Music category from March 2005.

Liturgy and Music: February 2005 is the previous archive.

Liturgy and Music: April 2005 is the next archive.

Find recent content on the main index or look in the archives to find all content.