Here’s a home video of me debating the former VP of our local riding association for the New Democrat Party (aka NDP aka Canada’s socialist party aka the pary led by Taliban Jack Layton). The topic is Canada’s involvement in the war in Afghanistan:
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This would be a welcome address
But it would really just restate the pride of place given to chant and sacred polyphony in the Constitution on the Sacred Liturgy of Vatican II. See number 116.
Nov. 07 (CNA/CWNews.com) – Sources close the Holy See are saying that during his upcoming visit to the St. Cecilia Music Academy, Pope Benedict XVI (bio – news) may address the need to recover the quality of sacred music in the liturgical life of the Church.
The feast of St. Cecilia, patroness of music, will be celebrated on November 22, and the Pontiff has announced that during that week he intends to visit the academy of music in Rome that bears the saint’s name. According to Vatican sources consulted by the Catholic News Agency, the Holy Father, who has expressed his concern over liturgical music, may address the need to recover the place of sacred music, “both Gregorian and polyphonic,” in the Catholic liturgy.
“This pronouncement could even take the form of a motu proprio, an official document issued on the Holy Father’s own initiative,” sources said.
Since the election of Pope Benedict XVI, sacred music has been given greater attention in the Roman liturgy. On November 19, as part of the year of Mozart– one of the Pope’s favorite composers– Cardinal Christoph Schönborn (bio – news), Archbishop of Vienna, will preside at a Mass in St. Peter’s Basilica, in which the famous Vienna Philharmonic Orchestra will present Mozart’s Mass of Coronation. Although no time has been officially allotted for remarks by the Holy Father, it is possible he will address the faithful at the conclusion of the liturgical celebration.
Faure Requiem in Vienna, VA
The following was written by the music director at my parish. Local folks should try to make it – the concert should be outstanding.
Incidently – I’m singing the baritone solo on the “Libera Me.” I normally sing tenor, but there wasn’t a suitable solo and my voice is sufficiently beefy to sing baritone. Should be fun.
“MUSICAL TRADITION IN VIENNA”
Years ago, when the town of Vienna was first established, the original idea was to name it Ayr Hill. Someone with vision insisted that it be named Vienna, after the great musical city in Austria, in the hopes that good music would always flourish there. 252 years later, the tradition of great classical music flourishes here in Vienna, especially at St. Mark Catholic Church on Vale Road.
Beginning in 2002 under the direction of Minister of Music and Liturgy Nancy Novelly, an annual series of Major Composer concerts has drawn together the amazing wealth of parish musical talent to focus on the sacred works of one composer. These concerts take place on the Friday before Thanksgiving each year, roughly coinciding with the November 22 feast of St. Cecilia, Patron Saint of Music. They are part of the National Association of Pastoral Musicians’ program, “NPM Sing,” which encourages parish musical celebrations of her feast day.
A Festival Choir of 50-60 voices is assembled each September to begin rehearsals. Singers are drawn from the parish’s eight choirs, plus any interested parishioners who don’t have time for a regular choir commitment but who love to sing. Twice a week for two and a half months, the halls are filled with sounds of music which challenges the skills of singers and directors alike. The Festival Choir has presented concerts of the works of Mozart, Bach, Handel, and Ralph Vaughan Williams. This year’s concert, entitled “Faure in Vienna,” will present sacred works by Gabriel Faure (1845-1924), a French Catholic composer who devoted his life to service in the Catholic Church.
The program includes the breathtaking “Requiem” in its original 1893 version, with restrained orchestration: a handful of strings, which nevertheless add richness and warmth to the lush harmonies and SATTBB vocal writing. In addition, vocal solos and trios by sopranos Teresa Schultz and Michelle Kunz, Youth choir director Jackie Niedermaier and school music teacher Colleen Foarde, our Resurrection Choir, plus a stunning Barcarolle for solo piano performed by our Parish Council president Linda Carducci, and flute pieces by parish flautists Elisabeth Hays, Ann Brownell and Lynda Clark will round out the program. The St. Mark Handbell Choir will perform a contemporary piece commissioned especially for its director, resident organist Richard Weiand. In closing, Adult choir director John Schultz directs “Cantique de Jean Racine,” a beautifully simple prayer sung in French.
Those who present this concert each year are nourished musically and spiritually by the exercise of working on great music together. Those who attend are blessed and enriched by this gift of music. All of us pray that other communities might be inspired to institute such a program, if they don’t already have one.
All are invited to this year’s “Faure in Vienna” on Friday, November 17th at 7:30 pm in the main Church. Call 703-938-3293 for more information. Admission is free.
New Tattoo Revue, Part II
Almost three years to the day after I posted my announcement that I was going to get a new tattoo “soon,” I finally got it. (My definition of “soon” is rather loose, I’ll concede.) The design is based on a cross in our parish church, carved on a pedestal upholding a large statue of Mary:
Here’s how it turned out:
And here it is in context:
The original design drew mixed reviews here on Catholic Light, so I hope this one goes over better. (Not that I’ll change it.)
A two-fer
An obvious headline with a funny typo, compliments of the Western Catholic Reporter