Well, we survived our concert Saturday night, but it did provide a new “war story”.
A few years ago, when I belonged to a 100-voice choir in Boston, the conductor told the group that we should know the piece we were singing well enough, and have a good enough sense of its rhythm, that if she were to fall off the stage, we should just keep going.
She’d even seem to test us sometimes during dress rehearsals by walking to the far end of the hall to check the sound while we continued the piece; and the group was often enough able to do so without a noticeable loss in the piece’s execution.
I’m out in the suburbs now, in a different group with a different choral conductor, but finally it’s happened for real. On Saturday, we were standing in the Episcopal parish’s sanctuary — and, by the way, have you noticed? they apparently still have altar rails, even in contemporary churches — doing the last of four variations on Nun komm der Heiden Heiland, when all of a sudden our maestra tumbled off the two wooden boxes that comprised the podium. (The top one had suffered a partial structural failure.) She made a staggering one-foot landing as her music stand went over, and she bravely continued. Alas, the shock disrupted us too much, and she had to restart the movement.
The recording engineer said after the performance, “That one’s going onto my blooper reel.”
Category: Liturgy and Music
Wow! Some of them are getting better!
For those of you discouraged by the lack of orthodox content in so many homilies, here is a sign of hope: at a suburban parish today, the young priest celebrating Mass, ordained in 2000, dared to use this explicit terminology:
As we come in a little while to receive our Blessed Lord, let us remember to thank Him for the deposit of faith He has given us through His Church.
Now if we can just bottle that and put it into the water supply at the seminary…
Sunday is the Feast of the Dedication of the Lateran Basilica
The judges’ decision is final
The office of the 2005 World Youth Day in Cologne has issued an invitation for composers to submit songs for use at the international event, including a contest for the WYD theme song.
If anyone’s curious to see the ground rules for participants, here they are (in German). My translation follows.
Palestrina contra mundum
Was there any better composer of church music than Giuseppe Perluigi da Palestrina? The only two contenders I can think of would be Haydn or Bach. Opinions?