Liturgies of self-affirmation? No, thanks

At the parish today, there was a rite of sending the catechumens (and candidates too!) for the Election rite to be held at the cathedral: and, man, was it overdone! Since the books on-line describe it as an “optional” rite, that probably means that some liturgist invented it out of whole cloth.
Here’s an excerpt from some old LTP book:

Reverend Father, these catechumens, whom I now present to you, are beginning their final period of preparation and purification leading to their initiation. They have found strength in God’s grace and support in our community’s prayers and example.
Now they ask that they be recognized for the progress they have made in their spiritual formation and that they receive the assurance of our blessing and prayers as they go forth to the rite of election celebrated this afternoon by Bishop N.

Ugh: “they ask that they be recognized” for their spiritual progress? Thank God I didn’t have to go through that indignity as a catechumen.

Yes, the Church’s prescribed music for an ordinary Sunday is this beautiful.

steppingstonechant1.jpg
I’ve been talking about this chant recording for some time, and now you can hear it too.
My pal Michael Olbash directed it — you know, the guy who directed the music for Magnificat magazine’s “Pilgrimage” conference — and the CD has just come out, so follow the link over to CD Baby to find out more.
In this album, the Stepping Stone Chant Project (named for the property where we made the recording) isn’t singing music for Easter or Christmas or Pentecost or any prominent day. It’s some nondescript N’th Sunday of the church year.
And that ties in to Michael’s point: the Church wants us to have music this beautiful on ordinary Sundays. Music directors can train their choirs to sing this sort of chant, which is fitting for the Mass at any time of year. It’s not just something to do in Advent or Lent.
So listen to the lovely sound samples on the CD Baby page — yes, I’m in there, discreetly in the mix — and yes, you should get one for your pastor too.

Clean sweep for papal liturgy advisors

Here’s a discreet but decisive change in Rome: Catholic News Agency reports that Pope Benedict has quietly dismissed all the former consultors to the Office of Liturgical Celebrations of the Supreme Pontiff, holdovers from the tenure of Abp. Piero Marini, and replaced them with supporters of the ‘Benedictine’ reform.
For English-speaking readers, the most familiar name will probably be Oratorian Fr. Uwe Michael Lang, author of “Turning Towards the Lord”, recently appointed an official of the Congregation for Divine Worship and the Discipline of the Sacraments.
I’m going to have to start watching papal liturgies more closely!

What doesn’t work

One good thing we used to do at my old engineering job was to look for “Lessons Learned” when projects failed.
Today, a friend let me know that her efforts to put some really nice music into her father’s funeral this week weren’t going anywhere. The rest of her family overruled her. They didn’t want the lovely Bainton motet or the Faure In paradisum. They didn’t care about the plainchant Mass ordinary. They wanted “the Irish Blessing”, “Be Not Afraid”, and “Precious Lord, Take My Hand”.
This effort reminds me about the value of a gradualist approach. People accustomed to OCP songs can’t be expected to accept Latin plainchant and polyphony. We know that. I know that. I’m sorry I didn’t say so up front. I could have told her, your suspicions are right, dear: this program is overreaching, so aim lower!
It reminds me of Dr. Mahrt’s talk last year (mp3, 45 min.), in which he described turning his parish’s music program around radically when they hired him; it took years, but he made many of the Church’s musical ideals a reality, all without introducing Latin. Making the music of the Mass beautiful is more important than making the text Latin; and in fact, making it beautiful in the present is the pre-requisite to getting acceptance for Latin in the future. So beauty is what we need to focus on, and changes need to be introduced gradually.
For an average funeral, the best one can do may be just to steer the parish music staff to somewhat better, more beautiful choices than they would normally make; for example:
— to use a dignified Mass setting (Proulx or Vermulst instead of Haugen)
— to replace a bunch of musical-theater ditties with three or four sweet classic hymns (they can even be a bit cloying, but people will like them, and they’re better than what they replace)
— to sing a real responsorial psalm instead of a non-Scriptural song
— putting the not-so-great songs that you’re compelled to include before the Mass or after it
And when we’re not making the final decisions, which is most of the time, we’re forced to pray the famous prayer of AA and the other 12-step groups: “Lord, grant me the serenity to accept the things I cannot change….”
Dealing with a big family of siblings, my friend had nowhere near a free hand this week in her efforts. I had things easier when arranging for my mother’s funeral a few years ago. Since she and I were both converts, there weren’t any other Catholics in the family to interfere in the process! Even then, I couldn’t get the parish music director to agree to all those items above. But some improvement was better than no improvement.
So when you have a chance to influence your parish in the direction of good music, be aware of what you really can’t do yet; and do what you can!

Approved English Mass texts now available

The US bishops’ conference Committee on Divine Worship is offering study materials on the new English-language Roman Missal texts, including a PDF file with the partial Mass Ordinary texts recently approved by Rome.
These translations are not coming to a parish near you any time soon, so there will be plenty of time to become familiar with them.
(Any composers want to get to work on musical settings? Go to it, and please do keep the Church’s ideals and binding norms for liturgical music in mind.)